i–ii–V in A Minor
Pattern: i – ii – V
Chords: Am – Bm – E
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| i | Am (details) | minor | Tonic |
| ii | Bm (details) | minor | Supertonic |
| V | E (details) | major | Dominant |
Harmonic Analysis
This progression moves through Am (Tonic) → Bm (Supertonic) → E (Dominant).
The i–ii–V progression adapts the jazz ii–V concept to a minor context, typically using a half-diminished ii chord. This creates strong circle-of-fifths motion toward the dominant, generating forward momentum. It is essential in minor-key jazz standards and sophisticated pop arrangements.
Song Examples
- Autumn Leaves (A section), Joseph Kosma
- Blue Bossa, Kenny Dorham